Actors - Beat It

	Actors - Beat It

"Beat It" is a 1983 hit single from Michael Jackson's multi-platinum selling album Thriller
. It was the third song from the album that was released as a single, following "The Girl is Mine" (a duet with Paul McCartney) and "Billie Jean".

On March 13, 2006, "Beat it" was re-released as a single as part of the Visionary - The video singles.

History

In the years directly preceding "Beat It", Jackson had already composed several of his own hit songs. His Off the Wall
album, released in 1979 and produced by Quincy Jones, featured two of his compositions – "Don't Stop 'Til You Get Enough" and "Working Day and Night" – as well as a third co-written with Louis Johnson, "Get On the Floor". (Similarly, the Jacksons 1978 album Destiny showcased his smash hit song "Shake Your Body (Down to the Ground)" and 1980's Triumph had the even more prescient "This Place Hotel".) In many respects the Off the Wall album served as a measure of things to come. Jackson and Jones had laid a foundation for putting songs appealing to different segments of their audience together on one seamless record. Jackson's loyal fan base amongst his R&B audience had spread into mainstream pop for more than a decade, and his songs displayed an uncanny ability to appeal to a fairly wide-ranging group of listeners: those who liked ballads, or dance tunes, or disco, or slightly funkier grooves, or even lighter fare could all find something to appreciate on Off the Wall.

With Thriller, Jackson and Jones would attempt at once to hone, embellish, and surpass this feat. One of their ambitions was to include a rock song on the new album. They took partial inspiration from another chart-topping rock song by The Knack. According to Jones, "I said at the time, 'I need a song like "My Sharona"... A black version of a strong rock and roll thing, with the power of everything else he .' And hit it right on the head."

Kicking off with an instantly recognizable gong which quickly segues into an equally distinctive rapid fire drumbeat and then the ongoing guitar riff, "Beat It" speaks of urgency from the outset and indeed plays out like the urban cousin of "My Sharona". The lyrics to "Beat It" are an immediate, frightful warning to avoid fighting and violence at all costs, especially when honor seems to be at stake ("It doesn't matter who's wrong or right") and Jackson sings them forcefully, near the top of his register.

Providing a dramatic electric guitar solo during the bridge of the song is Eddie Van Halen from the rock group Van Halen. According to Jones, when he first contacted the guitarist about appearing on the song, Van Halen didn’t believe who he said he was, or that the offer was true. Nevertheless, he went on to provide the defining element that set the song apart from other Jackson tunes to date.

Van Halen recorded his part while Jackson was in another nearby studio recording overdubs on “Billie Jean”. According to one story, a technician who was unaware Van Halen was beginning a take knocked on the studio door, entered and quickly closed it when he realized his error. Afterwards, it was jointly decided to leave this mistake in; the knock on the door is clearly audible just prior to the launch of Van Halen's guitar solo.

Song & video impact

By all accounts, "Beat It" was an unqualified smash hit and is often heralded as the ultimate crossover hit. Not only did "Beat It" fare well with Jackson's R&B and pop fans, but it also did with rock and heavy metal fans because of Van Halen's contributions. Radio stations still playing the song's album-mate "Billie Jean" added the new one to their playlists, and it too rapidly advanced to the top spot. Jackson and Jones had succeeded in getting R&B radio stations to play a song featuring hard rock elements, and rock stations to play a song delivered from a formidable R&B performer. Van Halen's legendary guitar solo became ubiquitous across radio dials around the world.

Future Jackson albums would similarly rely on the proven gambit of attempted broad-based appeal, to varying results, and each would include a rock-oriented song of its own. Most of these also featured superstar guest-guitarists providing solo performances in the Van Halen mold. These included:

"Dirty Diana" featuring Steve Stevens (Bad, 1987)
"Give in to Me" featuring Slash (Dangerous, 1991)
"D.S." featuring Slash (HIStory, 1995)
"Whatever Happens" featuring Carlos Santana (Invincible, 2001)

[ Visit the complete Wikipedia entry for Beat It ]

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