Actors - Buster Keaton

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	Actors - Buster Keaton

Joseph Frank Keaton Jr. (October 4, 1895 – February 1, 1966), always known as Buster Keaton, was a popular and influential American silent-film comic actor and filmmaker. His trademark was physical comedy with a stoic, deadpan expression on his face, earning him the nickname The Great Stone Face. His innovative work as a director made great contributions to the development of the art of cinema.

A 2002 world-wide poll by Sight and Sound ranked Keaton's The General as the 15th best film of all time. Three other Keaton films received votes in the survey: Our Hospitality
, Sherlock, Jr.
, and The Navigator
.

Early life in vaudeville

Keaton was born into the world of vaudeville. His father, Joseph Hallie Keaton, and Harry Houdini owned a travelling show called the Mohawk Indian Medicine Company, which performed on stage and sold patent medicine on the side. Keaton was born in Piqua (PICK-way), Kansas, the small town where his mother, Myra Edith Cutler, happened to go into labor. The boarding house in which he was born was later destroyed by a tornado. A memorial plaque is now located on this site, and nearby is a rural water company that maintains a one-room Keaton museum. Piqua is so small that the annual Buster Keaton Celebration is held in nearby Iola, Kansas.

Keaton credited Harry Houdini, who was his godfather, with dubbing him "Buster" after seeing him, at the age of six months, tumble down a flight of stairs without injury. Biographer Marion Meade's research suggests that Houdini, while having previously toured with the Keatons, shared no intersecting Vaudeville dates with the Keaton family at this time. This is one of many popular myths that Keaton perpetuated about himself. At the time, the word "buster" either meant bronc riding or a fall. It was only after Keaton was nicknamed the word became a name — one example of this early use is the comic strip character Buster Brown.

At the age of three, he began performing with his parents as The Three Keatons; the storyline of the act was how to raise a small child. Myra played the saxophone to one side while Joe and Buster performed on center stage. Buster would goad Joe by disobeying him, and Joe would respond by throwing Buster against the scenery, into the orchestra pit, or even into the audience. The act evolved as Buster learned to take trick falls safely. He was rarely injured or bruised on stage. Nevertheless, this knockabout style of comedy led to accusations of child abuse. Decades later, Keaton said that he was never abused by his father and that the falls and physical comedy were a matter of proper technical execution. In fact, Buster would have so much fun, he would begin laughing as his father threw him across the stage. This drew fewer laughs from the audience, so Buster adopted his famous dead-pan expression whenever he was working.

The act ran up against laws banning child performers in vaudeville. When one official saw Buster in full costume and make-up, he asked a stage-hand how old that performer was. The stage-hand shrugged and pointed to Buster's mother. "I don't know," he said, "ask his wife!" Despite tangles with the law and a disastrous tour of the English Music Halls, Buster was a rising star in the theater, so much so that even when Myra and Joe tried to introduce Buster's siblings into the act, Buster remained the central attraction.

By the time Buster was 21, Joe's alcoholism threatened the reputation of the family act, so Buster and Myra left Joe in Los Angeles. Myra returned to their summer home in Muskegon,Michigan, while Buster travelled to New York, where his performing career moved from vaudeville to film.

Silent film era

In February 1917 Keaton met Roscoe "Fatty" Arbuckle at the Talmadge Studios in New York City, where Arbuckle was under contract to Joseph M. Schenck. He was hired as a co-star and gag-man. Keaton later claimed that he was soon Arbuckle's second director and his entire gag department. Keaton and Arbuckle became close friends, a bond that would never break, even after Arbuckle was embroiled in the scandal that cost him his career and his personal life.

After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, The Keaton Studio. He made a series of two-reel comedies, including One Week
(1920), Cops (1922), The Electric House (1922), and The Playhouse
(1921). Based on the success of these shorts, he graduated to full-length features. These films made Keaton one of the most famous comedians in the world. At the time, he was perhaps the third most popular comedian in America behind Charlie Chaplin and Harold Lloyd.

[ Visit the complete Wikipedia entry for Buster Keaton ]

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Actors - Buster Keaton

Early life in vaudeville

Silent film era

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