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Actors - Carmen Miranda


Carmen Miranda - pseudonym of Maria do Carmo Miranda da Cunha (February 9, 1909 - August 5, 1955) was a Portuguese-Brazilian samba singer and motion picture star.

Life and career

Miranda reached her peak point of fame in the early 1940s. She arrived in the United States in 1939 and had become the country's highest paid entertainer by 1943. According to TV's The Biography Channel, Miranda was the highest paid woman in the United States in 1945, earning more than $200,000 that year. Miranda's Hollywood debut was Down Argentine Way where she had the chance to work with Betty Grable
. Her last Hollywood movie was in 1953 in Scared Stiff
with Jerry Lewis
and Dean Martin
.

Miranda was born in the small northern Portuguese town of Marco de Canaveses and went to school at the Convent of Saint Teresinha. Her very Catholic parents did not approve of her dreams of pursuing show business, so she kept it secret for years. In her spare time, she often sang at parties and festivals around the town where she was discovered and received the chance to perform on a local radio station. She was noted as a musical innovator in Brazil, one of the first samba superstars long before her arrival in the US. However, her roles in US movies featured her as a stylized comic "South American" singer. She was given the nickname "The Brazilian Bombshell".

Miranda was often shown wearing platform sandals and towering headdresses made of fruit, becoming famous as "the lady in the tutti-frutti hat." At only 5 feet tall (152 cm), these accoutrements made her appear almost larger than life on screen. This image was much satirized and taken up as camp, even in animated cartoon shorts. The animation department at Warner Brothers seemed to be especially fond of the actress's image. Animator Virgil Ross used the image in the animated short Tropical Hare with Bugs Bunny who, appropriately enough, made his entrance as a stowaway in the fruit hat. The fruit hat was also featured in the Bugs Bunny cartoon Slick Hare
, where Bugs sneaks out of Elmer Fudd's grasp by again hitching a ride in the hat. Today, the "Carmen Miranda" persona is a popular turn (or performance) for female impersonation and drag performance.

She was well aware of the tensions in her career. Her song, "Bananas Is My Business," was based on a line in one of her movies and directly addressed her image. A sour welcome back to Brazil in 1940 resulted in a response in Portuguese in a song called "Disseram Que Eu Voltei Americanizada," or "They Say I've Come Back Americanized."

Miranda did not drink or smoke until her late 30s. In addition to her addiction to alcohol and tobacco, Miranda regularly used amphetamines and barbiturates, all of which weakened her heart.

She died of a heart attack following an appearance on The Jimmy Durante Show
.
The A&E Network Biography episode featuring Miranda contained the tragic kinescope footage from her August 4 appearance. After completing a dance number, Miranda unknowingly suffered a mild heart attack, and nearly collapsed. Durante was at her side, and helped keep her on her feet. Miranda then smiled, waved to the crowd, and walked offstage for the last time. "The Brazilian Bombshell" was gone by the next morning; she was just 46.

Although she was addicted to prescription medications, Miranda did not use cocaine nor carry the drug in her platform shoes as documented in the controversial book, "Hollywood Babylon". Her body was flown back to Brazil soon afterwards and the Brazilian government declared a period of national mourning. She was interred in the Cemitério São João Batista in Rio de Janeiro.

Miranda's personal physician was Dr. M. Barryman, the father of actor Michael Barryman. Dr. Barryman would later sign Miranda's death certificate. The official cause of death was from untreated toxemia (later known as pre-eclampsia), and heart failure stemming from a pregnancy.

Tributes

For her contribution to the motion picture industry, Carmen Miranda has a star on the Hollywood Walk of Fame at 6262 Hollywood Boulevard.

Helena Solberg made a documentary of her life, Carmen Miranda: Bananas Is My Business in 1995.

Carmen's enormous, fruit-laden hats are iconic visual recognized around the world, but serious musical tributes and references are relatively infrequent. Brazilian singer Ney Matogrosso's album Batuque brings the period and several of Carmen's great early hits back to life in faithful style. Caetano Veloso paid tribute to Carmen out of love for her early samba recordings made in Rio when he recorded Disseram que eu voltei americanizada on the live album Circuladô Vivo in 1992. He also examined her iconic legacy of both kitsch and sincere samba artistry in an essay in the New York Times.

[ Visit the complete Wikipedia entry for Carmen Miranda ]



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