Actors - David Cronenberg

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	Actors - David Cronenberg

David Paul Cronenberg OC (born March 15, 1943 in Toronto, Ontario) is a Canadian film director and occasional actor. He is one of the principal originators of what is sometimes known as the "body horror" genre, which explores people's fears of bodily transformation and infection. In his films, the psychological is typically intertwined with the physical. In the first half of his career, he explored these themes mostly through horror and science fiction, although his work has long since moved beyond these genres.

He was born to a Lithuanian-Jewish family in Toronto; Cronenberg's father was a journalist and his mother a pianist. He graduated from the University of Toronto with a degree in literature, and has cited William S. Burroughs and Vladimir Nabokov as influences.

After two short sketch films and two short art-house features (the black and white Stereo
and the colour Crimes of the Future
) Cronenberg went into partnership with Ivan Reitman. The Canadian government provided finance for Cronenberg's films through the 1970s. Cronenberg alternated his signature "body horror" films such as Shivers
with projects reflecting his interest in car racing and bike gangs. Rabid
exploited the unexpected acting talents of porn queen Marilyn Chambers (Cronenberg's first choice was a young unknown called Sissy Spacek). Rabid was a breakthrough with international distributors and his next two horror features gained stronger support.

Over the arc of his career, Cronenberg's films follow a definite progression, a movement from the social world to the inner life. In his early films, scientists modify human bodies, which results in social anarchy (e.g. Shivers
, Rabid
). In his middle period, the chaos wrought by the scientist is more personal, (e.g. The Brood
, Scanners
, Videodrome
). In the later period, the scientist himself is altered by his experiment (e.g. Cronenberg's remake of The Fly
). This trajectory culminates in Dead Ringers
- arguably his greatest achievement - in which a twin pair of gynecologists spiral into codependency and drug addiction. Cronenberg's later films tend more to the psychological, often contrasting subjective and objective realities (eXistenZ, M. Butterfly
, Spider
).

Cronenberg has said that his films should be seen "from the point of view of the disease", and that, for example, he identifies with the characters in Shivers after they become infected with the anarchic parasites. This perspective is illustrated in The Fly when the hero discovers that he has been genetically fused with an insect. Rather than saying "My teleport machine went wrong", he says "My teleport machine turned into a gene-splicer". Disease and disaster, in Cronenberg's work, are less problems to be overcome than agents of personal transformation. Similarly, in Crash
(1996), people who have been injured in car crashes attempt to view their ordeal as "a fertilising rather than a destructive event". In 2006, Cronenberg would say that he was upset at all the publicity Paul Haggis' Academy Award winning film Crash had received, feeling it was not only ethically wrong, but annoying as well.

Aside from The Dead Zone (1983) and The Fly, Cronenberg has not generally worked within the world of big-budget, mainstream Hollywood filmmaking, although he has had occasional near misses. At one stage he was considered by George Lucas as a possible director for Return of the Jedi but was passed. Cronenberg also worked for nearly a year on a version of Total Recall
but experienced "creative differences" with producers Dino de Laurentiis and Ronald Shusett. A different version of the film was eventually made by Paul Verhoeven. In the late 1990s Cronenberg was announced as director of a sequel to another Verhoeven film, Basic Instinct
, but this also fell through. His most recent work, the thriller A History of Violence
(2005), is one of his highest budgeted and most mass audience-accessible to date. He has said that the decision to direct it was influenced by his having had to defer some of his salary on the low-budgeted Spider, but it is one of his most critically acclaimed films to date.

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