Actors - Wu Ma

	Actors - Wu Ma

Wu Ma (TC: 午馬, SC: 午马, pinyin: Wǔ Mǎ real name: Féng Hong Yuan, TC: 馮宏源, SC: 冯宏源) (born: August 18, 1942, in Tianjin, China) is a Chinese actor, director, assistant director, producer and writer. Wu Ma made his screen debut in 1963, and with over 180 appearances to his name (plus 38 directorial credits within a twenty-five year period), Wu Ma is one of the most familiar faces in the history of Hong Kong Cinema. He is best known as the Taoist ghosthunter in A Chinese Ghost Story
.

The early years

Wu was born Feng Hong Yuan in Tianjin. At 16 he moved to Guangzhou and became a machinist before migrating to Hong Kong in 1960. In 1962, Wu enrolled in the Shaw Brothers acting course. Graduating a year later, he became a contract player for the studio and made his first appearance in Lady General Hua Mu-Lan. He then appeared in such films as Temple Of The Red Lotus (1965), The Knight Of Knights (1966) and Trail Of The Broken Blade (1967). He took on the stage name 'Wu Ma' as it reflected the animal in the year of his birth (the horse), and believed it was short enough for audiences to remember.

During an , Wu explained that he stumbled upon directing when he was offered an unexpected trip to Japan for a movie. The film's original assistant director was unable to clear his visa in time, and Wu was called upon to take his place. After the experience, Wu decided to become a director, and became famed director Chang Cheh's assistant in 1968. Wu assisted Chang in movies such as The Golden Swallow, and also continued to pursue acting.

The 1970s

In 1970, Wu became a director in his own right. His directorial debut, Wrath Of The Sword, was released the same year. In 1971, Wu released one of his seminial works, The Deaf And Mute Heroine.

Wu mainly concentrated on directing in the 1970s, directing serveral movies - such as Young Tiger (1973) and [Wits To Wits (1974). Wits To Wits has been noted as one of the precursors of the knockabout comedy Kung Fu genre that was later made famous by Sammo Hung and Jackie Chan. Another movie Wu directed, Manchu Boxer (1974), featured Sammo Hung, then a young choreographer and later one of the trend-setters of Hong Kong cinema. This marked the beginning of a strong working relationship between the two, which would become prominent towards the 1980s. He also co-directed with his former mentor Chang in several movies - The Water Margin (1972), The Pirate
(1973), All Men Are Brothers (1975) and Naval Commando (1976).

While most of his output during this period was as a director, Wu continued to appear as an actor and appeared both in his own movies and in several others, although his roles were generally limited to small appearances.

During the mid-1970s, Wu joined a small exodus who were leaving Shaw Brothers due to corruption within the studio and became an independent director. Despite becoming an independent director, Wu was still able to work closely with some Shaw Brothers stars such as Ti Lung (The Massive (1978)).

The 1980s

As the 1970s and the era of the martial arts film wounded down, Wu Ma's output as a director also slowed. His acting output, however, increased as he became increasingly well-known as a character actor.

While Wu had made appearances in Hung's 1970s movies (such as Iron Fisted Monk), Wu's association with Sammo Hung began in earnest in the early 1980s. Wu appeared in Hung's groundbreaking Close Encounters Of The Spooky Kind (1980), a movie widely acknowledged as the precursor of the Hong Kong vampire genre, and directed and appeared in The Dead And The Deadly (1983), a noted classic in its genre which earned Wu a Hong Kong Film Award nomination for Best Director. Throughout the 1980s, Wu and Hung had a close working relationship, often with Wu as the director and Hung as the producer (such as My Cousin The Ghost (1986)).

Wu also worked in Hung's production company Bo Ho as the production manager, and made appearances in almost every Hung-directed movie of the 1980s. Amongst the most notable movies were Millionaire's Express (1986) and Wheels On Meals (1986).

Towards the mid-1980s, Wu became one of the most prolific character actors in Hong Kong, his now-rubbery face able to shift effortlessly across a spectrum of emotions. During the 1980s, he received three Hong Kong Film Award nominations for Best Supporting Actor - for Righting Wrongs (1986), where he played a policeman having to deal with his son's death; A Chinese Ghost Story
(1987) as Yin Chek-Ha; and in The Last Eunuch In China (1988), as Lord Ting.

[ Visit the complete Wikipedia entry for Wu Ma ]

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