Books - Frankenstein

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Some justify referring to the Creature as "Frankenstein" by pointing out that the Creature is, so to speak, Victor Frankenstein's offspring.

Frankenstein

Mary Shelley always maintained that she derived the name "Frankenstein" from a dream-vision, yet despite these public claims of originality, the name and what it means has been a source of many speculations. Literally, in German, the name Frankenstein means stone of the Franks. Frankenstein is the former name of Ząbkowice Śląskie, a city in Silesia. There is a town called Frankenstein in the palatinate with Burg Frankenstein (Frankenstein Castle) and Burg Frankenstein near Darmstadt. Moreover Frankenstein is a common family name in Germany.

More recently, Radu Florescu, in his In Search of Frankenstein, argued that Mary and Percy Shelley stayed at Castle Frankenstein on their way to Switzerland, near Darmstadt along the Rhine, where a notorious alchemist named Konrad Dippel had experimented with human bodies, but that Mary suppressed mentioning this visit, to maintain her public claim of originality. However, this theory is not without critics; Frankenstein expert Leonard Wolf calls it an "unconvincing...conspiracy theory" (Wolf, p.20).

Victor

A likely interpretation of the name Victor derives from the poem Paradise Lost by John Milton, a great influence on Shelley (a quotation from Paradise Lost is on the opening page of Frankenstein and Shelley even allows the monster himself to read it). Milton frequently refers to God as "the Victor" in Paradise Lost, which Shelley obviously sees Victor as playing God by creating life. In addition, Shelley's portrayal of the monster owes much to the character of Satan in Paradise Lost; indeed, the monster says, after reading the epic poem, that he sympathizes with Satan's role in the story.

Victor was also a pen name of Percy Shelley's, as in the collection of poetry he wrote with his sister Elizabeth, Original Poetry by Victor and Cazire. There is speculation that one of Mary Shelley's models for Victor Frankenstein was Percy, who at Eton had "experimented with electricity and magnetism as well as with gunpowder and numerous chemical reactions," and whose rooms at Oxford were filled with scientific equipment.

"Modern Prometheus"

The Modern Prometheus is the novel's subtitle (though some modern publishings of the work now drop the subtitle, mentioning it only in an introduction). Prometheus, in Greek mythology, was the Titan who created mankind, and Victor's work by creating man by new means obviously reflects that creative work. Prometheus was also the bringer of fire who took fire from heaven and gave it to man. Zeus then punished Prometheus by fixing him to a rock and each day a predatory bird came to devour his liver.

Prometheus was also a myth told in Latin but was a very different story. In this version Prometheus makes man from clay and water, again a very relevant theme to Frankenstein as Victor rebels against the laws of nature and as a result is punished by his creation.

Prometheus' relation to the novel can be interpreted in a number of ways. For Mary Shelley on a personal level, Prometheus was not a hero but a devil, whom she blamed for bringing fire to man and thereby seducing the human race to the vice of eating meat (fire brought cooking which brought hunting and killing) (Wolf, p. 20). For Romance era artists in general, Prometheus' gift to man compared with the two great utopian promises of the 18th century: the Industrial Revolution and the French Revolution, containing both great promise and potentially unknown horrors.

Byron was particularly attached to the play Prometheus Bound by Aeschylus, and Percy Shelley would soon write Prometheus Unbound.

Analysis

Frankenstein is in some ways allegorical, and was conceived and written during an early phase of the Industrial Revolution, at a time of dramatic change. Behind Frankenstein's experiments is the search for ultimate power or godhood: what greater power could there be than the act of creation of life? Frankenstein and his utter disregard for the human and animal remains gathered in his pursuit of power can be taken as symbolic of the rampant forces of laissez-faire capitalism extant at the time and their basic disregard for human dignity. Moreover, the creation rebels against its creator: a clear message that irresponsible uses of technologies can have unconsidered consequences.

Another popular critique of the novel Frankenstein views the tale as a journey of pregnancy and the common fears of women in Shelley's day of frequent stillborn births and maternal deaths due to complications in delivery. Mary Shelley experienced the horrors of a stillborn birth the prior year. Victor Frankenstein is often fearful of the release of the Monster from his control, when it is free to act independently in the world and affect it for better or worse. Also, during much of the novel Victor fears the creature's desire to destroy him by killing everyone and everything most dear to him. However it must be noted that the creature was not born evil, but only wanted to be loved by its creator, by other humans, and to love a sentient creature like itself. It was mankind who taught it evil, Victor rejected it, and the creature's poor treatment by villagers taught it how to be evil. In this way the creature represents the natural fears of bringing a new innocent life into the world and raising it properly so that it does not become a monster.

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Books - Frankenstein

Frankenstein

Victor

"Modern Prometheus"

Analysis

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