Books - The Egoist

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	Books - The Egoist

The Egoist was a tragicomical novel by George Meredith published in 1879.

The novel recounts the story of one Sir Willoughby Patterne and his attempts at marriage; jilted by his first bride-to-be, he vacillates between the sentimental Laetitia Dale and the strong-willed Clara Middleton.

In an afterword by Angus Wilson, The Egoist was called "the turning point in George Meredith's career". Wilson saw Meredith as "the first great art novelist"; his afterword interprets the book as an adaptation of a stage comedy, an achievement he arrogates to few English authors, who, he suggests, present only "farce or satire" (Wilson 501-3). He compliments Meredith most when he is detached from his characters, as "it is then that our laughter is most thoughtful" (Wilson 503). Wilson is most taken by "the absolute truth of much of the dialogue", such as how "the way Sir Willoughby continues to speak through the answers of other characters, returning to notice their replies only when his own vein of thought is exhausted" is a "wonderful observation of human speech" (Wilson 508).

When Robert Louis Stevenson suggested that Sir Willoughby's egotism was a parody of his own, Meredith responded that "Sir Willoughby all of us" (Wilson 503).

E. M. Forster discussed the book in his lecture series Aspects of the Novel, using it as an example of a "highly organized" plot (Forster p87). Much of his discussion, however, focuses on Meredith and his popularity as an author.

More materially, Forster compliments Meredith on not revealing Laetitia Dale's changed feelings for Willoughby until she rejects him in their midnight meeting; "t would have spoiled his high comedy if we had been kept in touch throughout ... in fact it would be boorish. ... Meredith with his unerring good sense here lets the plot triumph" rather than explaining Dale's character more fully (Forster p92).

Forster further compares Meredith with Thomas Hardy, complimenting Hardy on his pastoral sensibilities and Meredith on his powerful plots, " what novel could stand" (Forster p94).

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