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Home > Listing Index > Games > One Song To The Tune Of Another

Games - One Song To The Tune Of Another


"One Song to the Tune of Another" is a game played on the BBC Radio 4 comedy panel game I'm Sorry I Haven't A Clue. It consists of panellists singing the lyrics of one song to the tune of another song which is being played on a piano. Despite some similarities to karaoke, it predates karaoke's rise to popularity by many years.

The four original panellists were adept at this game, and each took an individual turn. Since the death of Willie Rushton guest panellists have appeared, and the two team members often sing together, presumably to compensate for the unsteadiness of a guest's voice. Guest panellists occasionally exhibit little or no musical talent, and this itself often makes for effective comedy. For instance, Jeremy Hardy's early appearances were often marked by the inclusion of musical rounds for the humour of his frankly dreadful attempts.

Some of the humour derives from the incongruity caused by differences between the songs involved. They may differ wildly in genre, structure, tempo, and time signature, but unlikely combinations have sometimes worked surprisingly well. Examples include Willie Rushton singing My Old Man's a Dustman to the tune of The Girl from Ipanema, and Maresy-doats and dozy-doats to the tune of There'll Be Blue Birds Over the White Cliffs of Dover, Barry Cryer singing Love Me Tender to the theme tune from The Archers, and Tim Brooke-Taylor singing She'll Be Coming 'Round the Mountain to the Dance of the Hours from La Gioconda by Amilcare Ponchielli.

A contribution to the effectiveness of the rendition is made by the pianist (usually Colin Sell) who, given the uneven rhythm of the vocalists, often has a much more difficult task than is usually required from an accompanist.

Additional humour is derived from the manner in which the host, Humphrey Lyttelton
, introduces and explains the game. The concept is actually simple, and well described by the game's title, but Humph claims it to be complicated and proceeds to give a long-winded and complex "simple" explanation, which differs each time the game is played. For example:

: "The game works like this. The teams have in front of them the words but not the music of a song which is different to another song of which they have neither the music nor the words. The tune of this second song, which is quite unlike the first song both in words and music, will be played but without the words to which the teams will substitute the other words they have from the first song which obviously will have no tune because that's made way for the tune from the other song without its words. : : "This might be hard to explain, so perhaps this alternative definition will help. Despite the title, each contestant will be allocated two songs, or words sung to music, but from one he will concentrate only on the lyrics while trying to disregard the tune, and from the other he will focus on the music while ignoring the words. : : "I know what you are thinking, which one is which? Well the first, or one song, is the set of words sung to music which no longer has the tune, and the second, or another as we know it, is the tune to some words without the lyrics but retaining the music. All you have to do is put them together, in other words — literally — one song to the tune of another."

These days these monologues invariably take the form of analogies, ending with an extremely contrived and obvious joke at Colin Sell's expense.

Internet-based fans have taken the silliness a step further, in true ISIHAC style, by playing the game in text-based media, such as USENET and email. Liberal use of punctuation can give readers a hint of how the metre is being applied to the lyrics.

In a similar vein, the Australian television comedy program Spicks and Specks features a segment Substitute, where a panellist sings a well-known tune substituting words from a text (usually a technical text like "Datsun 180B Service Manual" or "2004 Australian Government Tax Pack"), and the remaining team-mates attempt to guess the name of the song.

A serious example of the principle behind this game was Cliff Richard's The Millennium Prayer, in which he sang The Lord's Prayer to the tune of Auld Lang Syne.

[ Visit the complete Wikipedia entry for One Song To The Tune Of Another ]


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