Movies - B-movie

	Movies - B-movie

The term B-movie originally referred to a Hollywood motion picture designed to be distributed as the "lower half" of a double feature, often a genre film featuring cowboys, gangsters, or horror. In the days of the major film studios, this was official terminology that also gave rise to the practice of referring to "A-list" or "B-list" stars. (For example, Ronald Reagan, the 40th President of the United States, made a career out of acting in B-movies.) The major studios had "B-units" that made their B-movies, but there were also small studios—such as Republic Pictures and Monogram Pictures—which specialized in making B-movies. The "Golden Age of Hollywood" came to an end, and with it the studio system. Most drive-in theaters closed, and the double feature became a rarity. Today, there is no longer a clear distinction between "A-movies" and "B-movies". Roger Corman is often credited as being "King of the B's" though this title is technically inaccurate. In Corman's book "How I made 100 movies in hollywood and never lost a dime" on pg 36 he talks about his reputation for making B-Movies, and says "to my way of thinking I never made a "B" movie in my life". He goes on to say that B-Movies were a phenomenon only up to the early 1950s. According to Corman, "the B's had died out by the time I began directing". Roger Corman describes his films as "Low-budget exploitation films".

Current usage

"B-movie" has come to refer to any low-budget commercial film, with lesser-known actors (B-actor
s). These films may be formulaic, but they are distinguished from Z-movies by being professionally made commercial products. Fans of B-movies stress that the lower budgets and lesser oversight may allow for an energy and originality not found in big budget Hollywood films. This was especially true in the years following World War II. In the Eisenhower era movies with big budgets and top stars were often boring and conventional (Around the World in Eighty Days
, The Greatest Show on Earth
) while B-movies had energy and originality (The Thing from Another World
, It Came from Outer Space
). Many B-movies, especially in the science fiction and horror genres, are still popular today.

One of the classic producers of B-movies was the U.S. company American International Pictures (AIP), founded in 1956 by James H. Nicholson and Samuel Z. Arkoff. Its films include works by Roger Corman, Vincent Price, Herman Cohen and the early efforts of then-unknown figures such as Francis Ford Coppola, Martin Scorcese, Robert De Niro, and Jack Nicholson. In the 1970s, such houses as Independent-International Pictures, Film Ventures International, Charles Band Productions, Cannon Films, New Line Cinema, Golan-Globus, and others leapt up to create a new generation of B-movies; most of these companies were unable to continue as budgets soared in the early 1980s and even a comparatively low-budget, low-quality picture would cost millions of dollars, given the public's expectations of color filmstock, original music scores, and realistic special effects.

It is an open question whether the genre movies of today deserve to be called B-movies.

C-movie

In the 1980s, with the growth of cable television, the C-grade movie (deserving only filler time on cable) designation became known. C-movies were used as a source for a type of late night television programming in some major cities where they are shown back-to-back until the early hours of the morning. The 1990s television series Mystery Science Theater 3000 used C-movies in its episodes, where they were shown (often edited for time) while being subjected to sarcastic commentary by the program's stars. David A. Prior and Mario Bava are prominent figures in the C-movie industry, and Ed Wood has been credited by some as a master of the form (although the term better applicable to his work would be "Z-movies").

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