Movies - Final girl

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	Movies - Final girl

Final girl is a slasher film trope that specifically refers to the last person (usually a woman) alive to confront the killer, ostensibly the one left to tell the story. The concept has been used in dozens of films, including The Texas Chain Saw Massacre
, Friday the 13th
, Halloween
, and A Nightmare on Elm Street
. The term was coined by Carol Clover in her book Men, Women and Chain Saws: Gender in the Modern Horror Film. Clover suggests that in these films, the viewer begins by sharing the perspective of the killer, but experiences a shift in identification to the Final Girl partway through the film. The Final Girl is the "investigating consciousness" of the film, and as such, the audience experiences the narrative progression from her perspective.

The final girl is typically virginal and pure, avoiding the vices of the victims (sex, narcotic usage etc). She sometimes has an androgynous name (e.g. Teddy, Billie, Georgie, Sydney) and occasionally has a shared history with the killer. Conversely, Clover points out that the villain of slasher films is often a feminized male, such as Norman Bates in Alfred Hitchcock's Psycho
. Clover points to this gender fluidity as demonstrating the successes of feminism in popular culture.

The phenomenon of the male audience having to identify with a young female character in an ostensibly male-oriented genre, usually associated with sadistic voyeurism, raises interesting questions about the nature of slasher films and their relationship with feminism. Clover argues that for a film to be successful, although the Final Girl is masculinized, it is necessary that this surviving character is female, because she must experience abject terror, and viewers would reject a film that showed abject terror on the part of a male.

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