Movies - Life in the Undergrowth

Home > Listing Index > Movies > Life in the Undergrowth

	Movies - Life in the Undergrowth

Life in the Undergrowth is a BBC natural history television series about invertebrates, written and presented by David Attenborough, which began transmission in the UK on November 23 2005. The BBC DVD of the series was released on December 5, 2005, as was The Life Collection
box set, of which this is a part.

Largely ignored by filmmakers in the past, due to the difficulties in filming them, the producers decided to concentrate on invertebrates. Advances in lens and camera technology gave the makers an opportunity to film the creatures at their level. The series features a balance of everyday European invertebrates such as the wolf spider and housefly and more exotic varieties such as the redback spider of Australia and venomous centipedes of the Amazon. The series was the first time that such animals had been filmed at such a high level of detail for television (some sequences were filmed in high definition format), and provided not only TV viewers but also scientists with a new understanding of certain species' behaviour.

Within David Attenborough's 'Life' series, it was preceded by The Life of Mammals
(2002), and should be followed with Life in Cold Blood
, due in 2009. However, before the latter, Attenborough narrated Planet Earth
(2006).

Production and Filming

Production of the series took around two years, during which time filming took place around the world, from the Amazonian rainforest to Costa Rica, Australia, Malaysia, Hungary, Switzerland and many more locations, including the United Kingdom.

To follow and understand the various species looked at throughout the series, the production team consulted with some of the foremost experts on invertebrate life. In certain instances, their help proved invaluable, particularly when coming across particularly dangerous species or societies. In other instances, the specialists helped to provide some of their most recent discoveries, enabling the makers to showcase in rich detail the complex processes through which invertebrates may interact with their environment, as well as the regular processes of all animals in the wild, such as their mating rituals and hunt for food. Many of the creatures' interactions were not only filmed for the first time, but were also recorded with such extraordinary magnification that scientists who studied them were able to answer specific questions that observance with the naked eye had hitherto rendered impossible.

As always, time and money constraints played a huge part. The filming schedules had to be arranged to fit in with expected dates of major events that were planned to be included, such as the emergence of the North American cicadas or the mass emergence of mayfly in Hungary. As is usual in the preparation of a nature documentary, not everything went to plan, due to the unpredictable nature of the subject matter.

Although filming took place over several years, time constraints still meant that some scenes almost weren't filmed, and a few never materialised at all. For instance, the simultaneous mass emergence of the mayfly in Hungary did not occur until the deadline day for its filming, as David Attenborough had to be in Switzerland the very next day to film the mating of wood ants. Using expert advice, the team had come to film at the time of the annual emergence, but the problem of the unusually wet spring had delayed the event. Luckily, on the very last day conditions were perfect, and the mayfly emerged — apparently in one of the more impressive emergences of recent times. Because of these kinds of occurrences being largely dependant on environmental factors such as temperature or moisture, it was nearly impossible to tell exactly when they would happen. Instead they had to rely on expert estimates, but even these could be completely unpredictable. So although the mayfly emergence was captured, others, such as the emergence of a type of moth in Arizona, were unfortunately missed, despite the team camping out in the area twice, two weeks at a time.

Sometimes subjects were so small that it would have been impossible to film them in the wild. Instead, the construction of a complete habitat in a studio allowed easy pursuit of their actions, allowing the camera to capture them throughout their day. This technique was used on the wolf spider, for example, which provided some 200 hours of film — including an amazing courting ritual. Despite the arm span of the grown spider being no more than 1cm, even the newborn spiders are shown in incredible close-up as they climb on to their mother's back.

[ Visit the complete Wikipedia entry for Life in the Undergrowth ]

This page is based on the copyrighted Wikipedia article Life in the Undergrowth; it is used under the GNU Free Documentation License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL.

Movies - Life in the Undergrowth

Production and Filming

Searches on eBay

Related searches on eBay