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| Mohammed Rafi (December 24, 1924 - July 31, 1980) is one of the most popular Hindi/Urdu playback singers in Bollywood and probably the most successful ever. Rafi still remains popular in South Asia and in many other parts of the world such as the UK, Kenya, West Indies, etc. where South Asian immigrants have settled. He continues to inspire many new Bollywood playback singers like Sonu Nigam, Mohammed Aziz, Shabbir Kumar and Anwar. Rafi sang a great many duets with Lata, but he has also sung a large number of songs with Geeta Dutt and Lata's sister Asha Bhosle as well. His songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawaalis to ghazals and bhajans, and from slow melancholic tunes to fast fun-filled songs. He had a strong command of Hindi and Urdu and a powerful range that could accommodate this variety. He sung for Rajendra Kumar and Jeetendra, the tragedy heroes Dilip Kumar and Bharat Bhushan, comedian Johnny Walker, and many more. His voice personified the rebellious image of the star Shammi Kapoor and also gave expression to smaller and younger heroes like Biswajit and Joy Mukherjee. Rafi has also sung for singer-actor Kishore Kumar in a few movies like Raagini, Baaghi Shehzaada, and Shararat. Early yearsRafi was born at Kotla Sultan Singh Village near Amritsar in Punjab, to a middle class Muslim family. His family shifted to Lahore when he was still a baby. Every day, a "fakir" used to come to their locality in Lahore and sing. The young Rafi was so fascinated by him, that he used to follow him around. His elder brother Hameed was aware of Rafi's love for music and encouraged it. In Lahore, Rafi started taking music lessons from Ustad Abdul Wahid Khan and he also learned Indian classical music from Ghulam Ali Khan. One day Rafi and his brother Hameed went to attend a performance by K. L. Saigal. But the legendary singer refused to sing because there was a power failure at the venue. Hamed went up to the organiser to ask whether his brother could sing to keep the audience quiet. That was Rafi's first public performnce at the age of 13. Among the audience sat noted composer Shyam Sunder, who invited Rafi to Bombay.Rafi's first song was in Punjabi for the film Gul Baloch - it was a duet with the singer Zeenat Begum. The song was Soniye nee, Heeriye nee, composed by Shyam Sunder. Shyam Sunder was impressed with his voice and gave Rafi seven songs in another film Bazaar. Also, in 1944, Rafi decided to move to Bombay, where Naushad gave him a break in Pehle Aap (1944). Rafi made his mark with "Tera Khilona Toota Balak" in Anmol Ghadi (1946). Rafi's first hit song was Yahan Badla Wafa Ka with legendary songstress Noor Jehan, composed by Feroz Nizami. It earned Rafi fame. Producer of film Amar Raj, J B Wadia went looking for him because he wanted only Rafi to sing songs for his film. Rafi also did brief roles in movies like Laila-Majnu (1945) and Jugnu (1947). In Laila-Majnu, he was seen singing Tera Jalwa as a part of the chorus. Rise to FameRafi's big time came when he met the composer Naushad in Bombay. Rafi's first song for Naushad was Hindustan ke hum hain (We belong to Hindustan) for the film Pehle Aap in 1944. Rafi and Naushad struck a chord. The first hit for the duo was the soundtrack of the superhit movie Anmol Ghadi (1946). Before Rafi, Naushad's favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording. he was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra. After the Partition of India, Rafi and Naushad decided to remain in India. Whenever Naushad required a male voice in the songs composed by him, he would approach Rafi and nobody else. This attitude of Naushad was criticized by many people, but he continued his patronage of Rafi. Naushad used Rafi's voice for almost all actors of that time including Bharat Bhushan and Dilip Kumar.[ Visit the complete Wikipedia entry for Mohammed Rafi ] Some related entries: The Arena | Los Angeles Film Critics Association Awards 2004 | Hound | Cabiria | Shouf shouf habibi! | Himmelskibet | Every Which Way But Loose | Ureme 2 | Biff Tannen | 1994 in film | The Ambulance This page is based on the copyrighted Wikipedia article Mohammed Rafi; it is used under the GNU Free Documentation License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL. | Searches on eBay |
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