Movies - Moses Horowitz

Home > Listing Index > Movies > Moses Horowitz

	Movies - Moses Horowitz

Moses Ha-Levi Horowitz (1844–March 4, 1910), a.k.a. Moishe Hurvitz, Moishe Isaac Halevy-Hurvitz, etc., was a Galician-born Jewish playwright and actor in the early years of Yiddish theater. Joseph Adler describes him as an "authorit on dramaturgy", but also remarks that before being part of the Yiddish theater in London in the mid 1880s he had "wandered in different lands, involved himself in various undertakings, and then moved on often leaving, it is said not altogether pleasant memories behind him." He was one of the few figures in the early years of Yiddish theater who did not participate in the boom years in Imperial Russia (1879–1883).

Self-styled a "professor", Horowitz had converted to Christianity , but in Romania in 1877 he converted back to Judaism and (along with Joseph Lateiner) began to write plays for Israel Grodner and Sigmund Mogulesko after they left Abraham Goldfaden's troupe. A favorite of Bucharest intellectuals, he was known for historical dramas, sometimes with improvised monologues (especially for his own roles); he was initially seen as a more serious playwright than Goldfaden, who at this time was writing vaudevilles, light operetta, and the occasional melodrama, although Goldfaden's work would also soon take a more serious turn.

Horowitz soon put together a troupe of his own, including actor Abba Schoengold, with which he toured eastern Romania.

Famous for the speed with which he turned out his plays (usually in no more than three days), he would sometimes start actors rehearsing the first two acts of a play while he wrote the third backstage.

He was born, according to the Jewish Encyclopedia on the 7th of Adar, 1844, at Stanislau, Galicia. After the usual Jewish education he studied German and went to Bucharest. Horowitz went to New York City in 1884, taking with him a company of his own.

He wrote no less than 169 plays. Das Polishe Yingel being his first dramatic production. According to the Jewish Encyclopedia, among his more successful plays are: Schlome Chochom, Kuzri, Chochmath Noshim, Ben Hador, and Yetziath Mizraim. Bercovici also singles out his Sabbatai Zvi and Tragedy of Tisza-Eszlar, both from 1884. Most of Horowitz's plays were historical, but he also wrote "zeit piessen" on topical subjects, such as a play about the Homestead Strike of 1892, one about a 1903 pogrom in Chişinău, and a distinctly socialist take on the 1889 Johnstown flood written while working with Boris Thomashefsky in Chicago. The most successful of his "zeit piessen" was Tissa Eslar. Many of his dramas were composed in the course of a few days, and he utilized without hesitation whole scenes of foreign dramas. Though a successful playwright, Horowitz failed as an actor, and after he went to America he abandoned acting entirely.

At one time quite wealthy and "the best-dressed man on the lower east side" , he died poor. After the success of his 1904 play Ben Hador, he lost all of his money on an unsuccessful venture in 1905 to present grand opera in Yiddish at the Windsor Theater; shortly after that, he was stricken with paralysis, and lived out his last years in the Montefiore Home, provided for by his friends.

[ Visit the complete Wikipedia entry for Moses Horowitz ]

This page is based on the copyrighted Wikipedia article Moses Horowitz; it is used under the GNU Free Documentation License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL.

Searches on eBay