Movies - Mothra

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	Movies - Mothra

Mothra (モスラ - Mosura) is a 1961 daikaiju eiga from Toho Studios, directed by genre regular Ishirō Honda with special effects by legend Eiji Tsuburaya. It is the kaiju eiga debut of screenwriter Shinichi Sekizawa, whose fantastic yet intelligent approach to the genre grew to prominence during the 1960s. The film stars Frankie Sakai, a popular comedian in Japan at the time, and Hiroshi Koizumi, in the first of many academic roles he would adopt in tokusatsu. Jerry Ito (translated as "Jelly Ito" in the U.S. release) delivers a fiendish performance, his only contribution to the genre. The score by Yuji Koseki includes probably the most enduring song in kaiju eiga, "Mosura No Uta" ("Mothra's Song"), performed by The Peanuts.

The film did well at the box office but was panned by U.S. critics upon its stateside release as a typical B-grade monster-on-the-loose flick. Its basic plot was recycled in King Kong vs. Godzilla
and Mothra vs. Godzilla
(1962 and 1964, both also written by Sekizawa), and the daikaiju Mothra would become one of Toho's most popular, appearing in seven more Godzilla films and her own trilogy in the 1990s.

Plot

An expedition to an irradiated island brings civilization in contact with a primitive native culture. When one sensationalist entrepreneur tries to exploit the islanders, their ancient deity arises in retaliation.

In waters off Infant Island, a presumedly uninhabited site for Rolisican atomic tests, the Genjin maru is caught and run aground in the turbulence of a typhoon. A rescue party following the storm finds four sailors alive and strangely unafflicted with radiation sickness, which they attribute to the juice provided them by island natives. The story is broken by tenacious reporter Senichiro "Bulldog" Fukuda (Sakai) and photographer Michi Hanamura (Kagawa), who infiltrate the hospital examining the survivors.

The Rolisican Embassy responds by co-sponsoring a joint Japanese–Rolisican scientific expediction to Infant Island, led by capitalist Clark Nelson (Ito). Also on the expedition are radiation specialist Dr. Harada (Ken Uehara), linguist Shin'ichi Chūjō (Koizumi), and stowaway reporter Fukuda. There the team discover a vast jungle of mutated flora, a fleeting native tribe, and two miniscule girls (the Peanuts). These "small beauties", as Fukuda calls them, wish their island to be spared further atomic testing. Acknowledging this message, the team returns and conceals these events from the public.

Nelson, however, returns to the island with a crew of henchmen and abducts the girls, gunning down several natives who try to save them. While Nelson profits off a "Secret Fairies Show" in Tokyo featuring the girls singing, both they and the island natives beseech their god Mothra, a giant egg, for help. Fukuda, Hanamura, and Chūjō communicate with the girls via their telepathic ability; they express conviction that Mothra will come to their aid. Meanwhile, Fukuda's newspaper has accused Nelson of holding the girls against their will; Nelson denies the charge and files a libel suit against the paper. Meanwhile, the island egg hatches to reveal a gigantic caterpillar, which begins swimming the Pacific Ocean toward Japan. The caterpillar destroys a cruise ship and survives a napalm attack on a beeline path for Tokyo. The Rolisican Embassy, however, defends Nelson's property rights over the girls, ignoring any connection to the monster.

Mothra finally arrives on the Japanese mainland, impervious to the barrage of weaponry directed at it, ultimately building a cocoon in the ruins of Tokyo Tower. Public feeling turns against Nelson, and he is ordered to release the girls. He flees incognito to Rolisica, where Mothra, newly hatched in an imago form, immediately resumes her search. Police scour New Kirk City for Nelson as Mothra lays waste to the metropolis. Ultimately Nelson is killed in a shootout with police, and the girls are assigned to Chūjō's care. Observing a religious significance in Mothra's unique symbol, Chūjō hits upon a novel way to attract Mothra to an airport runway. The girls are returned amid salutations of "sayōnara", and Mothra flies back to Infant Island.

Themes

Mothra was the first of the kaiju eiga to distance itself from the genre of horror. Unlike Godzilla
(1954), Godzilla Raids Again
(1955), and Rodan
(1956), thematically and visually darker films full of allegory and scenes of death, Mothra is vibrant, colorful (like Mothra herself), and at times jovial. Even the scenes of destruction in Mothra are depicted with an air of fantasty: rather unlike actual automobiles, cars and trucks caught in Mothra's gusts are tossed and bounced about the cityscape of New Kirk like leaves in a dust devil.

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Movies - Mothra

Plot

Themes

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