Movies - Rattle and Hum

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	Movies - Rattle and Hum

Rattle and Hum refers to both a motion picture about the band U2 and its companion album, documenting the band's 1987 Joshua Tree Tour of the United States and its exploration into American music.

History

The movie is a rockumentary, released in theaters in 1988 and on video in 1989. It was produced by Michael Hamlyn and directed by Phil Joanou. It incorporates live footage with studio outtakes and band interviews. It is criticized for being overwrought and pretentious and for attempting to elevate the band into the rock pantheon by paying tribute to (and playing with) their musical heroes. Nevertheless, fans regard it as a solid concert film that finds the jovial band members somewhat overwhelmed by the sudden success The Joshua Tree brought them.

The album is a hodgepodge of live material and new studio recordings that further the band's experimentation with American music styles and recognize many of their musical influences. It was produced by Jimmy Iovine and also released in 1988 (see 1988 in music).

:"' was conceived as a scrapbook, a memento of that time spent in America on the Joshua Tree tour. It changed when the movie, which was initially conceived of as a low-budget film, suddenly became a big Hollywood affair. That put a different emphasis on the album, which suffered from the huge promotion and publicity, and people reacted against it." --The Edge
,

Because of its chaotic presentation and its unfortunate placement between the much more groundbreaking The Joshua Tree and Achtung Baby, it is one of the more overlooked albums in their catalogue. At the time, the album and film were derided as self-indulgent by many critics who claimed U2 was trying to enshrine itself in the great pantheon of rock legends (influences ranging from B.B. King, Elvis Presley
, Jerry Lee Lewis, Johnny Cash, Bob Dylan, The Rolling Stones, and The Beatles are all referenced in the project) as opposed to honoring its newly-found influences. Many found the project--with its focus on earnest roots music and its many political sequiters--to be too serious.

Others, to the contrary, find the album to be a fine representation of a great band at the height of its artistic powers and popular influence. To date it has sold nearly ten million copies worldwide and earned the band its first number one single in the UK, "Desire".

Due to the poor reception of Rattle and Hum, the band announced at one of their last tour dates in the eighties that they needed to go away for a while to "dream it all up again". Many fans feared the band was going to split up, which it nearly did. Instead, the band took a drastic change in direction with 1991's Achtung Baby.
Studio recordings
Most of the tracks on the album pay homage in some way to the rootsy influences the band discovered while recording 1987's The Joshua Tree. The album itself takes its name from a lyric in The Joshua Tree's fourth track "Bullet the Blue Sky." A live version of "Bullet the Blue Sky" recorded in Tempe, Arizona is the final live track on "Rattle and Hum."

The album opens with a live cover of "Helter Skelter" (which Bono infamously introduces as "a song Charles Manson stole from The Beatles...we're stealing it back"). It also has a live version of Bob Dylan's "All Along the Watchtower", which can be seen as a dual tribute to Dylan and to Jimi Hendrix, who popularized the song with his own blistering rendition. Aside from the covers, a couple of songs were written for other artists. "Angel of Harlem" is a vivacious, horn-filled tribute to Billie Holiday
. The bass-heavy "God Part II" is an introduction to the Achtung Baby sound, and is a sequel of sorts to John Lennon
's "God", his stark denunciation of everything from Elvis Presley
to Jesus Christ.

The songs are also musically in line with the predecessors they honor. The punchy lead single, "Desire", for instance, sports a Bo Diddley beat. "Love Rescue Me" (featuring co-author Bob Dylan on vocals) and the live performance of "I Still Haven't Found What I'm Looking For" (recorded with a church choir) are gospel songs. "When Love Comes To Town" is a blues rocker featuring B.B. King on guitar and vocals.

All of the studio tracks except "Heartland" were recorded at Sun Studio in Memphis, Tennessee, where Elvis Presley, Roy Orbison, and others also recorded.

Some of the studio tracks were performed in concert on the Lovetown Tour, which began almost a year after Rattle and Hums release.
[ Visit the complete Wikipedia entry for Rattle and Hum ]

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Movies - Rattle and Hum

History

Studio recordings

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