Movies - The Cook, the Thief, His Wife & Her Lover

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	Movies - The Cook, the Thief, His Wife & Her Lover

The Cook, the Thief, His Wife & Her Lover is a 1989 film written and directed by Peter Greenaway starring Richard Bohringer, Michael Gambon, Helen Mirren and Alan Howard in the titular roles. This cult film is known for its lavish and often breathtaking cinematography.

Jean-Paul Gaultier designed the costumes, and Michael Nyman wrote the score.

Plot summary

Albert Spica (Gambon) is a violent gangster and part-owner of La Hollandais, a restaurant which he and his circle of cronies visit in the evenings. Although Spica has pretensions to be a gourmet, he is in fact coarse in his tastes and ignorant about cuisine, and is also violent and insulting towards the other guests. His head chef Richard (Bohringer) despises him, but also fears him and is obliged to allow him to stay. Spica's wife Georgina (Mirren) is, it transpires, regularly abused by him, and is terrified of him. However, she begins to take an interest in one of the other guests, Michael (Howard), and, with Richard's collusion, soon begins an extra-marital affair with him in the kitchen of La Hollandaise.

When Albert learns of the affair, he threatens to kill, cook and eat Michael, and Michael and Georgina take refuge in Michael's book store where he lives. Albert, however, tortures a young kitchen boy who knows their whereabouts and tracks them down. While Georgina is visiting the boy at the hospital, Albert orders Michael killed by having pages of his own books forced down his throat; Albert and his men then leave, and Georgina finds Michael's body.

Georgina brings the body back to Richard and asks him to cook it. At first he refuses, thinking she intends to eat it. However, when she explains that she intends to force feed the body to Albert, he agrees. Georgina, armed and surrounded by several of Albert's other victims, presents Michael's roasted carcass and suggests that Albert "try the cock". Albert doesn't do this specifically but his resistance wears out and he takes a bite of Michael's flesh. Georgina then shoots him.

Symbolism

The film presents a conflict between the world of money, and the world of art and culture. It is an explicit criticism of the notion of their interchangeability, and it explores the way culture is debased and treated with contempt by those with money but no taste. The world of money is represented by Spica and his associates, while the world of culture is represented by Michael and Richard. Spica pretends to be a gourmet, but he knows that Georgina is the genuine article. Although he regards her as his possession, he is jealous of her knowledge and her easy familiarity with cuisine. Spica's only means of evaluating anything is by its financial value; when he sees Michael reading a book, he treats him with contempt, asking "does this stuff make any money"? The ultimate expression of Spica's hostility to all that Michael stands for is to have Michael killed by the very thing he loves the most, by making him choke on his own books.

The film was made near the end of Margaret Thatcher's time as Prime Minister, during which the power of the old class-based elites in British government and business had been eroded in favour of people who were financially successful.

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