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The God Who Wasn't There is an independent documentary that explores and questions the historicity of Jesus Christ. It is written and directed by Brian Flemming, and was released theatrically on May 21, 2005, and on DVD on June 6, 2005.OverviewAccording to the film's official website, the aim of the documentary is to hold "modern Christianity up to a merciless spotlight." The God Who Wasn't There, the website goes on to claim, is "bold and hilarious... asks the questions few dare to ask. And when it finds out how crazy the answers are, it dares to call them crazy." Flemming is identified as an ex-fundamentalist Christian, and he is now portrayed as a "guide through the bizarre world of Christianity." The film has inspired a great deal of controversy.The film asks questions which explore the roots of Christian belief. The documentary in particular proposes that Jesus is likely a fictional character who was never based on a real human, that Christian doctrine often contradicts itself, and encourages immorality when it serves the religion, and that moderate Christianity makes even less sense than the extremist form. AppearancesSeveral notable personalities make appearances in the documentary.
CriticismThe film has come under scrutiny for a number of its claims. Central among them is the film's thesis that Jesus is a fictional character. This claim is considered by many contemporary New Testament historians to be a radical position. Essentially, the viewpoints of the scholars interviewed in this documentary (Price, Doherty) represent a minority viewpoint in the field of New Testament scholarship. Many mainstream secular scholars believe that Jesus was a real, historical figure in first century Palestine.Much of the historical information in the film has been questioned for its accuracy, so viewers should be cautious in accepting historical claims presented. Areas questioned include: (1) uncritical use of 19th century claims regarding 'pagan Christs' like 'Beddru' and 'Davetat', (2) misuse of early Christian writers like Justin Martyr , (3) a shallow understanding regarding Paul and early Christianity. However, despite some problems with content, the film should be considered only as an introduction to this topic, not a scholarly dissertation in itself. Like any controversial topic, interested viewers should investigate further into items raised for themselves. Some critics also take issue with the "ambush" style that Flemming uses at the end of his film when he returns to the Christian school of his youth. There he interviews a school administrator who appears to have agreed to the interview without being fully aware of the nature of the arguments Flemming puts forth in the film. The interview subject terminates the interview when Flemming begins asking questions about the nature of Christianity and evangelization. [ Visit the complete Wikipedia entry for The God Who Wasn't There ] Some related entries: The Rainmaker | Prest-O Change-O | David S Dorfman | Prefontaine | Katsuji Morishita | People Are Dead | Cinema of Taiwan | Institutional Mode of Representation | This Land Is Mine | Superfly | Death in Brunswick This page is based on the copyrighted Wikipedia article The God Who Wasn't There; it is used under the GNU Free Documentation License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL. | Searches on eBay |
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