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The Punisher is a 2004 movie, based on the Marvel Comics character, starring Thomas Jane as Frank Castle (The Punisher) and John Travolta as the gangster who orders the death of Castle's family.Plot summaryFormer Delta Force soldier and Special Undercover Agent Frank Castle had it all: a loving family, a great life, and an upcoming desk job. On his final assignment, Castle plays his undercover role perfectly, but the operation spins out of control and a young man, Bobby Saint, is inadvertently killed. Inflamed by the death of their son, the Saints are willing to risk their newfound legitimacy on a wholesale mission of vengeance. Castle's worst nightmare is about to come true, as Howard Saint's lieutenants unleash hell at the Castle family reunion. But Castle, to his everlasting torment, survives. Until this moment, he has spent his entire life adhering strictly to the law. However, experience has taught him that the law cannot adequately penalize the people who murdered his entire family. Drawing upon all he has learned in 20 years, Castle sets in motion a diabolical plan to punish all of those responsible.ReactionOn its release on April 16, 2004, it was mostly panned by critics. Some stated that it was brutal, dull, and full of clichés. However, many have defended the movie stating that compared to most comic book based movies, it is a well done throwback to the old school action movies of the 60s and 70s.Pre-ProductionDuring pre-production, director Jonathan Hensleigh and cinematography Conrad W. Hall looked at dozens of action movies, crime sagas and westerns made between 1960 and 1978, including the Dirty Harry series, The Getaway, The Good, the Bad and the Ugly, The Godfather, and Bonnie and Clyde. Those movies helped establish the cinematic vocabulary Hensleigh and Hall developed for The Punisher. "We wanted to situate The Punisher as a larger-than-life character," explains Hall. "Without copying these films, they gave us a common ground from which to communicate."Hensleigh and the film's producers put together a crew of key collaborators who thoroughly understood that aesthetic, beginning with director of photography Conrad W. Hall. The film marks the second feature credit for Hall, who had previously shot Panic Room for David Fincher. "Jonathan wanted to do a film in a more classic visual style, with an unobtrusive camera and dramatic lighting that would enhance the tension of a scene. That was exciting to me, because it's easy to fall into the trap of trying to outdo whatever the fashion of the moment is," comments Hall. Hall acquired an appreciation of the storyteller's art from his father, the late, much-admired cinematographer Conrad L. Hall. "My father was a great filmmaker, and he was really about pointing the camera at the story." In style, tone and technique, The Punisher evokes the taut, vigorous action storytelling that thrived in the 60s and 70s, says Jonathan Hensleigh, "I greatly admire the tradition of action filmmaking laid down by Sergio Leone, Clint Eastwood, Sam Peckinpah and, in particular, Don Siegel. I love the spareness of those films. I love the classic camerawork, and the fact that it's based solely on storytelling." Hensleigh and Hall chose to keep the cinematography of The Punisher as naturalistic as possible, which suited both the muscularity of the story and the realistic style of the comic. They largely avoided pre-determined color palettes; occasionally Hall introduced blue tones to underscore emotional themes. "Jonathan really felt that we should deal with color as the locations and nature dictated," Hall explains. "Ultimately, we fell upon a style that we felt was original for The Punisher. The idea behind this picture was that it ought to be bleak -this is a dark story - but beautiful." The film's flinty realism is enhanced by a strong undercurrent of dark humor. Frank Castle may be a man of few words, but he does have a way with a wry quip. "The story at its heart is a very emotional tale of incredible loss," Jane reflects. "The challenge was to keep the tone relatively close to the bone, and yet find the humor in the situations. It was important that we mixed a sense of fun in with the horror. The movie is intended to entertain people. We all need to be able to laugh. We need that emotional release." [ Visit the complete Wikipedia entry for The Punisher (2004 film) ] Some related entries: Charlie Bucket | Clockwatchers | Quill | Big Fish | A Killer Among Us | The War of the Roses | A World Without Thieves | The Wild Thornberrys Movie | Major League | Cat's Eye | T-Men This page is based on the copyrighted Wikipedia article The Punisher (2004 film); it is used under the GNU Free Documentation License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL. | Searches on eBay
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