Movies - The White Horse Inn

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	Movies - The White Horse Inn

::For other White Horse Inns see the White Horse disambiguation page.

Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is a musical comedy set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests. Sometimes classified as an operetta, the show enjoyed huge successes both on Broadway and in the West End (651 performances at the Coliseum starting April 8, 1931) and was filmed several times. In a way similar to The Sound of Music
and the three Sissi movies, the play and its film versions have contributed to the saccharine image of Austria as an alpine idyll—the kind of idyll tourists have been seeking for almost a century now. Today, Im weißen Rößl is mainly remembered for its songs, many of which have become popular classics.

Genesis of the play

In the last decade of the 19th century, Oscar Blumenthal, a theatre director from Berlin, Germany, was vacationing in Lauffen, a small town in the vicinity of St. Wolfgang. There, at the inn where he was staying, Blumenthal willy-nilly witnessed the head waiter's painful wooing of his widowed boss. Amused, Blumenthal used the story as the basis of a comedy—without music—which he co-authored with actor Gustav Kadelburg. However, Blumenthal and Kadelburg relocated the action from Lauffen to the much more prominent St. Wolfgang, where the Gasthof Weißes Rößl had actually existed since 1878. Having thus chanced upon a suitable title, the authors went to work, and Im weißen Rößl eventually premiered in Berlin in 1897.

The play was an immediate success. The Berlin audience would laugh at the comic portrayal of well-to-do city dwellers such as Wilhelm Giesecke, a producer of underwear, and his daughter Ottilie, who have travelled all the way from Berlin to St. Wolfgang and now, on holiday, cannot help displaying many of the characteristics of the nouveaux-riches. "Wär' ick bloß nach Ahlbeck jefahren"—"If only I had gone to Ahlbeck", Giesecke sighs as he considers his unfamiliar surroundings and the strange dialect spoken by the wild mountain people that inhabits the Salzkammergut. At the same time the play promoted tourism in Austria, especially in and around St. Wolfgang, with a contemporary edition of the Baedeker praising the natural beauty of the region and describing the White Horse Inn as nicely situated at the lakefront next to where the steamboat can be taken for a romantic trip across the Wolfgangsee. The White Horse Inn was even awarded a Baedeker star.

Waltraut Haas and Peter Alexander
in the 1960 movie version

Just as the play was about to be forgotten—a silent movie starring Liane Haid had been made in Germany in 1926—it was revived, again in Berlin, and this time as a musical comedy. During a visit to the Salzkammergut, the actor Emil Jannings told Berlin theatre manager Erik Charell about the comedy. Charell was interested and commissioned a group of prominent authors and composers to come up with a musical show based on Blumenthal and Kadelburg's libretto. They were Ralph Benatzky, Robert Stolz and Bruno Granichstaedten (music), Robert Gilbert (lyrics), Hans Müller and Charell himself. The show premiered in Berlin on November 8, 1930. Immediately afterwards it became a success around the world, with long runs in cities like London, Paris, Vienna, Munich and New York.

During the Third Reich the comedy was marginalized and not performed (Goebbels called it "eine Revue, die uns heute zum Hals heraushängt"—"the kind of entertainment we find boring today"), whereas people in the 1950s, keen on harmony and shallow pleasures, eagerly greeted revivals of the show. German language films based on the musical comedy were made in 1935, 1952 and 1960 respectively.

Outline of the plot

It is summertime at the Wolfgangsee. Josepha Vogelhuber, the young, attractive but resolute owner of the White Horse Inn, has been courted for some time by her head waiter, Leopold Brandmeyer. While appreciating his aptness for the job, she mistrusts all men as potential gold-diggers, rejects Leopold's advances and longingly waits for the arrival of Dr Siedler, a lawyer who has been one of her regular guests for many years. This year, Josepha hopes, Siedler might eventually propose to her.

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