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	Movies - Werewolves in fiction

Werewolves in fiction can have many different characteristics. While many stories describe lycanthropy as a disease or curse, and werewolves as killers, others treat werewolves as a fantasy race.

Werewolf fiction is dominated by portrayals of men cursed to become wolves or wolfmen during the full moon (see werewolf). The process of transmogrification is portrayed in many films and works of literature to be painful. The resulting wolf is typically cunning but merciless, and prone to killing and eating people without compunction regardless of the moral character of the person when human. The form a werewolf takes is not always an ordinary wolf, but is often anthropomorphic or may be otherwise larger and more powerful than an ordinary wolf. Many modern werewolves are also supposedly immune to damage caused by ordinary weapons, being vulnerable only to silver objects (usually a bullet or blade). This negative reaction to silver is sometimes so strong that the mere touch of the metal on a werewolf's skin will cause burns. Current-day werewolf fiction almost exclusively involve lycanthropy being either a hereditary condition or being transmitted like a disease by the bite of another werewolf.

Werewolves have been used in many movies, short stories, and novels, with varying degrees of success. The first feature film to use an anthropomorphic werewolf was Werewolf of London in 1935, not to be confused with the 1981 film of a similar title, establishing the canon that the werewolf always kills what he loves most. The main werewolf of this film was a dapper London scientist who retained some of his style and most of his human features after his transformation. The genre was also popularized by the classic Universal Studios movie The Wolf Man
(1941), starring Lon Chaney Jr. as the werewolf Larry Talbot. This movie contained the now-famous rhyme: "Even a man who is pure in heart / And says his prayers at night / May become a wolf when the wolf-bane blooms / And the autumn moon is bright." This movie is often credited with originating several aspects of the legend which differ from traditional folklore (including invulnerability to non-silver weapons, contagiousness, and association with the moon).

More recently, the portrayal of werewolves has taken a more sympathetic turn in some circles. With the rise of environmentalism and other back-to-nature ideals, the werewolf has come to be seen as a representation of humanity allied more closely with nature. A prime example of this outlook can be seen in the role-playing game Werewolf: The Apocalypse in which players roleplay various werewolf characters who work on behalf of Gaia against the destructive supernatural spirit named Wyrm, who represents the forces of destructive industrialization and pollution. Author Whitley Strieber previously explored these themes in his novels The Wild (in which the werewolf is portrayed as a medium through which to bring human intelligence and spirit back into nature) and The Wolfen (in which werewolves are shown to act as predators of humanity, acting as a "natural" control on their population now that it has been removed from the traditional limits of nature).

Unsympathetic portrayals of Werewolves as monsters also continue to be common in popular culture.

Different Takes

=== Buffy the Vampire Slayer === Joss Whedon's TV program featured a likeable young werewolf, Daniel 'Oz' Osbourne, who often assisted Buffy in fighting evil while in human form, and had himself locked in a cage during the full moon.

Discworld

Werwolves on the Discworld can be both born and infected by a bite. A true bimorph can change between human-like and wolf-like shape at will (but have to take care of their clothes, which are not included in the transformation), but have to change during full moon. The descriptions are not entirely consistent if they change to wolf-like shape only when exposed to the light of the full moon, or in nights in the week around full moon. While they can pass as human, wolves will recognize a werewolf, presumably through smell, although there has been mentioned that there is something about their eyes, occupation and method of walking that contain telltail signs that the person is a werewolf. They have at all times a superhumanly keen sense of smell. Especially while in lupine shape or a short time after returning from it, it is described as Synaesthesia of "seeing" smells as colours. Werewolves can only be killed with fire or silver. Silver burns them (similar to a bad sunburn) when they touch it. A werewolf in lupine shape does retain their intelligence, but when they stay changed for too long thinking becomes difficult, and instincts may take over. A silver collar is both painful and makes thinking difficult.

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