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Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was one of the most influential pianists in the history of jazz. Along with Charlie Parker and Dizzy Gillespie he was instrumental in the development of bebop, and his virtuosity as a pianist led many to call him "the Charlie Parker of the piano".LifePowell's grandfather was a flamenco guitarist, and his father was a stride pianist. The family lived in New York. His older brother William played the trumpet, and by the age of fifteen Powell was playing in his brother's band. Powell had learned classical piano from an early age before becoming interested in jazz, especially Art Tatum and stride pianist James P. Johnson. Younger brother Richie was also an accomplished pianist, as was schoolfriend Elmo Hope. Thelonious Monk was an important early teacher and mentor, and a close friend throughout Powell's life, dedicating the composition "In Walked Bud" to Powell. In the early forties Powell played in a number of bands, including that of Cootie Williams, and in 1944 his first recording date was with Williams's band. This session included the first ever recording of a tune by Monk, "'Round Midnight". Monk also introduced Powell to the circle of bebop musicians starting to form at Minton's Playhouse, and other early recordings included sessions with Frank Socolow, Dexter Gordon, J. J. Johnson, Sonny Stitt, Fats Navarro and Kenny Clarke. Powell soon became renowned for his ability to play accurately at fast tempos, and his inspired bebop soloing.Powell's first session as a leader was in a trio with Curly Russell and Max Roach, recorded in 1947 but not released until two years later, by Roost. He also recorded a session with Charlie Parker, Miles Davis, Tommy Potter and Roach during this year. In November 1947, he was admitted to Creedmore psychiatric hospital, where he stayed for over a year, receiving electroconvulsive therapy which caused severe memory loss. The young Jackie McLean and Sonny Rollins became friendly with Powell on his release from the hospital, and Powell recommended McLean to Miles Davis. Powell suffered from mental illness throughout his life, possibly triggered by a beating by the police in 1945 (although he had a reputation for strange behaviour prior to this beating, it certainly exacerbated his problems). He was also an alcoholic, and even small quantities of alcohol had a profound effect on his character, making him aggressive. It is generally agreed that his best recordings are those made prior to 1954, both for Blue Note Records and for Norman Granz (at Mercury Records, Norgran Records, Clef Records and later on Verve Records). The first Blue Note session, in August 1949, features Fats Navarro, Sonny Rollins, Powell, Tommy Potter and Roy Haynes, and the compositions Bouncing with Bud and Dance of the Infidels. The second Blue Note session was a trio with Russell and Roach, and includes Parisian Thoroughfare and Un Poco Loco, the latter selected by literary critic Harold Bloom for inclusion on his short list of the greatest works of twentieth-century American art. Sessions for Granz (more than a dozen) were all solo or trios, with a variety of bassists and drummers including Russell, Roach, Buddy Rich, Ray Brown, Percy Heath, George Duvivier, Art Taylor, Lloyd Trotman, Osie Johnson, Art Blakey and Kenny Clarke. [ Visit the complete Wikipedia entry for Bud Powell ] Some related entries: Two Nice Girls | Dave Clark | Nicolette Palikat | Zdravko Čolić | Udo Jürgens | Howard Ashman | Angèle Dubeau | Andrew Weatherall | Michna | Bonnie Dobson | Erik van der Luijt This page is based on the copyrighted Wikipedia article Bud Powell; it is used under the GNU Free Documentation License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL. | Searches on eBay
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