Musicians - Louise Talma

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	Musicians - Louise Talma

Louise Talma (October 31, 1906 in Arcachon, France - August 13, 1996 in Saratoga Springs, NY) was a composer. She was raised in New York City and studied at the Institute of Musical Arts (Juilliard School of Music, 1922-1930) and received her bachelor of music degree from New York University and masters of arts degree from Columbia University. She studied with Isidor Philipp, at the American Conservatory in Fontainebleau, France, and with Nadia Boulanger every summer from 1926 to 1939. She taught at Hunter College of the City University of New York.

She began composing in a spare neoclassical tonal style featuring static harmonies, short distinct melodies in counterpoint, ostinatos, and pedal points varied through mode, tempo, rhythm, metre, articulation. Also featured where rhythmic units varied through imitation, augmentation, and diminution.

She began using the twelve tone technique in 1954 after hearing Irving Fine's String Quartet, and returned to a neo-tonal style in her last works of the 80s and 90s. She wrote most of her compositions at the MacDowell Colony where she also met composers of the "Boston school", Arthur Berger, Lukas Foss, Irving Fine, Alexie Haieff, Harold Shapero, and Claudio Spies. She provided a bequest for one million dollars for the MacDowell Colony in her will. She died at the artists colony Yaddo.

She was the first woman to receive two Guggenheims, be elected to the National Institute of Arts and Letters (1974), and to receive the Sibelius Medal for composition from the Harriet Cohen International Awards in London (1963). She was also the first American woman to have a full-scale opera performed in Germany and the first American to teach at Fontainebleau. (All Music Guide)

Her works include Song of the Songless (1928), Three Madrigals (1928), Two Dances (1934), In principio erat verbum (1939), Six Etudes (1954), The Alcestiad (1955-1958) with text by Thornton Wilder, Full Circle (1985), Spacings (1994), A Time to Remember (1966-1967) based on speeches of John F. Kennedy.

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