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Home > Listing Index > Musicians > Vybz Kartel

Musicians - Vybz Kartel


Vybz Kartel is a Jamaican dancehall musician.

Childhood and musical influences

Vybz Kartel was born Adidja Palmer, one of six siblings, at Kingston's Jubilee Hospital. Originally from Waterhouse, Kingston, he was raised in the Waterford district of the community of Portmore. Adidja attended Calabar High School in Kingston but was expelled as a teenager. Determined to continue his education, he completed his studies at a tutorial technical school. The young Adidja was exposed to a wide variety of music from a tender age by two uncles who happened to be aspiring musicians themselves. Every weekend he would be treated to new musical offerings on his uncle's old component set, ranging from Sam Cooke
to country and western ballads to Ninja Man, who became one of his musical heroes. At the age of 10 his favourites included artists as diverse as Ninja Man, Papa San, Charlie Chaplin, Will Smith and KRS-1, all of whose lyrics he would write down and study word-for-word, performing them later for the entertainment of friends. Deciding he wanted to be a deejay, he began writing his own lyrics at the age of 11.

Early career

Eager to show off his skills, Adidja and his friends often frequented the weekly Gong Talent Show at the now defunct Coney Amusement Park on the outskirts of Kingston, but to their chagrin were always gonged off whenever they got a chance to perform. Undeterred by his weekly failure to impress the talent show audience, Adidja decided to hone his skills and concentrate on winning over his own community of Waterford until he was ready for bigger things. With that goal in mind, on weekends he would practise his art on neighbourhood sound systems Soul Signal and Electric Force. In 1993, the young Adidja, now in his early teens, recorded his first single Love Fat Woman for Alvin Reid's One Heart Label under the name Adi Banton, a name he chose in tribute to Buju Banton
, another of his role models. He recorded several more tracks for local producers, perfecting his craft until 1996, when he and two friends, Mr Lee and a singer called Escobar, decided to form a group. One night, after watching a movie about Pablo Escobar and his infamous cartel, Adidja came up with a name for his trio: Vibes Cartel.

Rise to fame

Introduction to mentor

Unfortunately, the group soon dissolved due to internal friction and conflict between Mr Lee and Escobar and others in the community, but Adidja chose to retain the collective name of the group for himself as a one-man force, changing only the spelling. Under his new moniker Vybz Kartel, he began to build up an underground fan base over the next few months, culminating in a monumental 1998 performance at the stage show Champions In Action, catching the attention of many industry insiders as an up-and-coming heavyweight. Shortly thereafter, he was introduced to reigning king of dancehall Bounty Killer
by his manager Rohan Butler, and an immediate mentor-protege alliance was formed. Vybz Kartel had always counted Bounty Killer as one of his greatest influences since his brilliant 1994 debut, but the 1998 meeting took his respect for the self-styled Warlord to another level. He started writing lyrics for Bounty Killer, leading to a string of hits for the Killer including High Grade Forever, Warlord Rule The World and Gal Clown among others.

Career route

Vybz Kartel's new role as Killer's protege (a spot once held by prodigal prodigy Baby Cham) caught the attention of the public and led to a meteoric career rise, first as a ghost-writer for Bounty, Elephant Man
and other members of the Scare Dem Crew, followed by collaborations with Bounty Killer such as Gal Clown and Girls Like Mine (Liquid Riddim), then finally coming into his own with early hits such as Gun Clown, Guns Like Mine (Trafalga Riddim), Badman (Panty Raid Riddim), Bus Mi Gun Like Nuttn, Most High (Mexican Riddim) and War Organizer (Clappas Riddim). He also had a string of successful collaborations with Wayne Marshall, such as New Millennium (Mad Antz Riddim), Why (Krazy Riddim) and Why Again (Good To Go Riddim). This unprecedented and impressive debut led to Vybz Kartel being crowned Deejay Of The Year at Stone Love's 30th Anniversary, 2002, a feat unmatched by any new artist in dancehall's history.

From the outset, Vybz Kartel was more of a 'badman' deejay than a pop artist, most likely owing to his influence from hardcore legends Bounty Killer and Ninja Man. In his early career he mostly concentrated on unapologetically hardcore, undiluted songs extolling the virtues of guns, sex and ganja, but his biggest hit was yet to come. He had success with more mainstream, club-oriented singles such as Big Man (Engine Riddim), Pussy Jaw (Mad Antz Riddim), Sweet To The Belly (Egyptian Riddim) and Bruk Buddy (G-String Riddim), but in late 2003 his single Tekk Buddy on the Tunda Klap Riddim proved to be the one which catapulted his career into the stratosphere. The single stayed on the charts for months and spent weeks at the number 1 position, and finally brought Vybz Kartel to the attention of those who hadn't yet become aware of his burgeoning stardom. His newfound mainstream success, coupled with his hardcore street credibility, critical acclaim and widely-hailed lyrical ability set the stage for the inevitable; a showdown with another artist to prove his worth. What was surprising to many was the unlikely challenger: Vybz Kartel's longtime idol Ninja Man.

[ Visit the complete Wikipedia entry for Vybz Kartel ]



Some related entries: Julian Fontana | Cliff Burton | Lucien Barbarin | George Perle | John Parry Ddall | Grigory Samuilovich Frid | Antoine de Bertrand | Joe Lovano | Too Close for Comfort | Barry Harris | Richard Jenkins

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